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枣阳市一医院多久了?正规吗襄州区妇幼保健中医院泌尿外科襄阳前列腺炎手术多少钱 As heritage continues to obsess the industry, the fashion archive is becoming highly prized. 随着古董时装持续走红时装界,时装档案馆也越来越受到追捧。Brands are pouring resources into building museums in which to house their collections, while canny young designers are buying back garments from clients, or bidding against collectors and museums to retrieve rare vintage pieces with which to build their own.各大品牌开始投巨资建物馆,用来收藏旗下历年推出的时装系列,精明的年轻设计师则从客户手中回购时装,或是从藏家手中和物馆竞拍回珍稀限量款,以丰富自己的藏品。Many brands are now using their archives to produce exhibitions as a way of extending their brand message. 很多品牌公司如今用自己的馆藏举办展览,作为扩大自己品牌影响力的手段。The Fondation Pierre Bergé — Yves Saint Laurent will open two museums in autumn 2017, in Paris and Marrakesh, to celebrate the work of its founder, Yves Saint Laurent. 皮埃尔#8226;贝尔热-伊夫#8226;圣#8226;罗兰基金会(Fondation Pierre Bergé-Yves Saint Laurent)建于巴黎与马拉喀什(Marrakesh)的两家物馆将于2017年秋季正式开馆,用来纪念品牌创始人伊夫#8226;圣罗兰的杰出成就。The Gucci Museum, which opened in Florence in 2011, recently announced acquisitions from Tom Ford’s era at the house. 古驰物馆(The Gucci Museum)2011年在佛罗伦萨开馆,它近日宣布收购汤姆#8226;福特(Tom Ford)担任古驰创意总监时期所推的时装。The Missoni archive is on display at the Fashion and Textile Museum in London (until September 4).米索尼(Missoni)各个时期推出的时装不久前也在伦敦时装与纺织品物馆(Fashion and Textile Museum)展出。There’s a dawning realisation that if you want to be a so-called heritage brand, you have to be able to tell the story through objects, explains Sonnet Stanfill, fashion curator at the Victoria and Albert Museum. 如今各大品牌开始意识到:若要成为底蕴深厚的品牌,就得通过自己各时期推出的时装讲述前世今生。伦敦维多利亚和阿尔伯特物馆(Victoria and Albert Museum)时装策展人索妮特#8226;斯坦菲尔(Sonnet Stanfill)这样解释道。An archive can be useful for design inspiration, for lending to an exhibition, or for if you think you’d want to do your own retrospective.时装档案能有效启发设计灵感,也可友情参展,还能自办品牌回顾展。Shonagh Marshall, a freelance curator who archived Alexander McQueen’s collection in preparation for the Met’s Savage Beauty exhibition in 2015, and who has also worked on the archive collections of Christian Louboutin and the late stylist Isabella Blow, agrees. 自由策展人肖纳格#8226;马歇尔(Shonagn Marshall)对此也深以为然。 为了参加纽约大都会物馆2015年举办的亚历山大#8226;麦昆(Alexander McQueen)野性之美时装特展(Savage Beauty),他精心收藏了对方各个时期设计的时装;他还致力于克里斯蒂安#8226;娄伯丁(Christian Louboutin)以及已故知名设计师伊莎贝拉#8226;布罗(Isabella Blow)的资料档案收藏。The motivation often lies in the sense of building a brand, which is now entwined with cultural heritage. Keeping those objects means keeping a sense of narrative — without them you have no assets.建立档案馆的动机通常在于打造品牌意识,如今它与文化遗产紧密关联。收藏这些物品意味着传承历史——品牌没有它们,就谈不上有什么内涵。Kerry Taylor, who runs her own auction house, is considered a world leader in vintage fashion, antique costume and textiles. 经营时装拍卖行的凯丽#8226;泰勒(Kerry Taylor)是当今世界在复古时装、仿古装及纺织品方面的老大。She often finds herself selling back items to design houses prepared to pay huge sums for missing pieces.她经常把一些藏品回售给各大品牌,对方愿出巨资购买自己漏藏的款式。Some of the more established brands, such as Dior, Balenciaga and Chanel, really see the value in buying back their heritage, she explains. 迪奥(Dior)、巴黎世家(Balenciaga)以及香奈儿(Chanel)这些时尚大牌现在真正认识到了回购老款时装的重要意义。The Chanel archive in Paris is like a glamorous high-security prison. Everything has black lacquered sliding cabinets. 她这样解释道,巴黎的香奈儿档案馆犹如一座光夺目、戒备森严的监狱,各种馆藏品都挂在滑动式黑漆柜中。If Karl Lagerfeld wants to look at something from the 1920s or 1930s, there it is, beautifully stored and catalogued. 老佛爷(Karl Lagerfeld)若想欣赏上世纪20、30年代的香奈儿款式,来这里就可以了,它们分门别类存放于此,依然光鲜亮丽。Not only does it reinforce the importance of the brand itself, [but also] when new designers come along they can plunder it for ideas — and stay within the house.此举不仅巩固了品牌自身的江湖地位,而且当年轻设计师参观时,能够长时间驻足其中,汲取设计灵感。Pierre Bergé, one-time romantic partner and longtime business partner of Saint Laurent, started building the Saint Laurent archive soon after the brand’s foundation. 皮埃尔#8226;贝尔热曾是圣罗兰的情人及长期商业合伙人,圣罗兰创牌后不久,他就开始着手创建品牌档案馆。It was a prescient move.此举颇有先见之明。Yves decided to keep a dress for the first time in 1964, only two years after we founded the couture house, says Bergé. 1964年,伊夫第一次决定收藏自己设计的一款裙子,这距我俩创牌仅过了两年时间。贝尔热回忆道。I remember it very well, it was a brown lace dress that he loved very much.我记得非常清楚,这是一款他爱不释手的棕色蕾丝裙。The Fondation Pierre Bergé-Yves Saint Laurent has since become a huge enterprise. 皮埃尔#8226;贝尔热-伊夫#8226;圣#8226;罗兰基金会逐渐成为规模空前的物馆。Besides the 5,000 garments and 15,000 accessories, our archive also contains all the original drawings, as well as the atelier’s specification sheets, the collection boards and a large number of press articles, photos and s of collections, he continues. 除了收藏的5000件时装以及15000件配饰外,我们的档案馆还藏有最原始的草图以及工作室的规格表、采集板和大量时装类新闻稿、照片及视频。Each piece is stored on our premises under optimal conditions: air conditioning, humidity controls, anti-acid paper. 他继续道,每一件馆藏品都存放于最佳环境中:空调、湿度控制以及耐酸纸。About 10 people, mainly trained museum specialists, work on the preservation and the documentation of the collection. 大约10位(多为训练有素的物馆专业人员)负责藏品的保存及归档。Bergé is proud of his ability to share the YSL story with both the public and those who head up the design department — including newly appointed creative director Anthony Vaccarello. 能与普通民众及圣罗兰设计室诸负责人(其中包括新任创意总监安东尼#8226;瓦卡莱洛(Anthony Vaccarello))共同分享圣罗兰品牌的辉煌历史,贝尔热对自己的成就颇感自豪。Since we closed the couture house in 2002, the archives have always been made available to the designers from the y-to-wear house. 自我们2002年退隐江湖后,档案馆一直向圣罗兰的设计师开放。Hedi Slimane [who left this year, and borrowed heavily from the house’s original 1960s design aesthetic] came many times. 前任创意总监艾迪#8226;斯理曼(Hedi Slimane)来过很多回。He is a great connoisseur and admirer of Yves’ oeuvre. 他从圣罗兰上世纪60年代的设计理念借鉴颇多,他是圣罗兰时装的鉴赏大师及超级粉丝。Anthony Vaccarello immediately asked to come and visit the archives.安东尼#8226;瓦卡莱洛一上任,就请求来档案馆参观。One would assume most designers appointed at a house have free rein of their archive. It isn’t always so. 大家可能会认为:大多数创意总监可随意配所在品牌公司的馆藏档案,但事实并非如此。Demna Gvasalia, the new creative director of Balenciaga, spent several weeks in the archive after he joined this year; his pre-fall collection featured oversized shearling scarfs with the house branding that were an exact copy of a 1930s original. 戴姆纳#8226;瓦萨利亚(Demna Gvasalia)今年新晋巴黎世家新任创意总监后,曾花了数周时间泡在档案馆;他的早秋系列主推印有巴黎世家品牌标识的特大款羊绒围巾,它们与上世纪30年代的款式一模一样。But his predecessor, Nicolas Ghesquière, had a very different experience when he joined the house in 1997.但瓦萨利亚的前任尼古拉斯#8226;盖斯基埃(Nicolas Ghesquière)1997年出任巴黎世家设计总监时,则境况大不相同。For years Ghesquière was blocked from the archive, partly because the pieces didn’t actually belong to the corporate group that bought the Balenciaga name, and partly due to tensions with the keeper of the keys, Marie-Andrée Jouve. 盖斯基埃好多年都无法进档案馆参观,部分原因是其馆藏品并不真正属于购买巴黎世家商标名的开云集团(Kering),部分原因是他与档案馆的钥匙掌管者玛丽亚-安德蕾#8226;朱维(Marie-Andrée Jouve)关系紧张。He was only granted access in 2002, when the house was acquired by the Gucci Group.他到了2002年才获许入馆,当时巴黎世家已被新东家古驰收购。Other archives are simply the victim of disorder. 有些档案馆则完全毁于管理失当。The Givenchy archive; now there’s a shame, sighs Kerry Taylor. 纪梵希(Givenchy)档案馆如今成了业界耻辱。Things by Hubert de Givenchy have never been properly catalogued. 凯丽#8226;泰勒叹气道,于贝尔#8226;德#8226;纪梵希(Hubert de Givenchy)的档案资料从来没有准确分门别类。Their archivists come and go and it’s not a senior role. 他们的档案馆工作人员经常变动,完全是可有可无的角色。Bergé and Saint Laurent were pioneers. 贝尔热与圣罗兰则是建立档案馆的开天辟地者。None of today’s most important couture houses have archives like ours, he says. 如今大多数知名时尚品牌的档案馆都比我们逊色。They only realised the significance of having an archival department in the 1990s.他说,它们在上世纪90年代才意识到设立专门档案部的重要性。Today, Gucci has a museum. 如今古驰也建有自己的时装物馆。Twenty years ago it had nothing. 20年前的它在这方面可是白纸一张。I started the Gucci historical archives in 1997 from scratch, when the whole concept was very new and innovative, explains curator Grazia Venneri. 1997年,我们从无到有开始组建历史档案馆,当时整个理念非常新颖、颇具前瞻性。Unfortunately, the Gucci family never kept samples of their production. I had to carry out a systematic research and acquisition campaign; reaching out to celebrities, private collectors and collaborating with auction houses and vintage boutiques. 古驰档案馆馆长葛拉齐拉#8226;文内里(Grazia Venneri)解释道,遗憾的是,古驰家族过去从不保存自己所推时装的样品,我只得进行系统调研与收购活动;求助于名人与个人藏家,以及与拍卖行及旧货店合作。When I left Gucci in 2013 we had collected and catalogued more than 5,000 products and about 2,000 documents and vintage images.2013年我离开古驰时,已经收集与归类了5000多件时装以及大约2000件文档和老照片。Alessandra Arezzi Boza helped build the archive of Pucci, another major Italian brand. 亚历桑德拉#8226;阿雷齐#8226;扎(Alessandra Arezzi Boza)协助建立了意大利另一知名品牌璞琪(Pucci)的档案馆。I found a huge warehouse full of boxes, she says. 我最初看到的是堆满各种箱子的大仓库。Having been a family-run brand until 2000, with the headquarters located in the family palace, the Pucci archive had a great advantage: everything had been kept since the early 1950s — photographs, sketches, textile prints, press and of course garments and accessories — more than 30,000 items. 她回忆道,璞琪在2000年前一直是家族企业,总部就设在自家豪华别墅里,因此建立档案馆具有得天独厚的优势:自上世纪50年代初以来的一切东西都完整保留着——照片、素描图、纺织品印花、媒体文章,当然还有推出的所有装及配饰——总数超过3万件。But it all needed to be organised and brought alive.但所有东西需要分类归档以及‘激活’。Motivated by their experiences, Arezzi Boza and Venneri formed a consultancy that extends into strategy. 积累成功经验后,扎与文内里随后组建了拓展至战略筹划的咨询公司。As well as working with big Italian manufacturers keen to leverage their heritage, the duo plan to help emerging talent.除了与急切发挥自身悠久传统的意大利大品牌合作之外,他俩还计划助设计新锐以一臂之力。For young designers, the decision to keep an archive depends on pre-empting one’s future greatness. 对于年轻设计师来说,是否保存自己的时尚作品,在于自己能预知到将来必定会功成名就。Which can seem a little grandiose. 此举似乎显得有点不切实际。It’s a question of how important you think you’re going to be, a strange thought when you’re a recent graduate, says Shonagh Marshall. 关键在于你如何定位自己的未来,对初出茅庐的设计师来说,这样的想法的确有点不可思议。肖纲格#8226;马歇尔说。Then there’s the expense and space required to do it properly. 此外还有设立档案馆的费用与场地。You need not just the space but the proper storage infrastructure — thin, flat drawers for things that can’t be hung, rails, archival tissue, manpower, cameras, computers, says Stanfill. 你不仅需要建馆的场地,而且还需要必要的存储设施——存放无法挂放东西的窄平抽屉、横档、包装档案的薄纸、人手、相机以及电脑。If you’re in a rush, things pile up and disorder creeps in.斯坦菲尔说,追求短平快的话,东西就会堆积如山,失序自然就随之而来。Keeping things is a luxury few young designers can afford, even if the inclination to collect and reference their own past work is there. Cash flow concerns can mean items are sold off through sample sales. Or lost altogether. 不间断保存好自己作品需大量人力、物力与财力,年轻设计师可求不可得,即便内心存有收藏以及借鉴自己昔日劳动成果的意向,大量经费需求有时意味着得通过特卖活动忍痛割爱部分藏品,抑或说永远失去它们。In the early years, Alexander McQueen paid people in clothing, says Marshall. 亚历山大#8226;麦奎最早是用自己设计的时装付费用。There’s one famous lost collection; after a show he left the clothes in a bin bag outside a King#39;s Cross club because he didn’t have the money for the cloakroom. 马歇尔说,他失去自己的一款时装的事众所周知:一次时装发布会后,他把时装放在伦敦国王十字车站(King#39;s Cross)附近某俱乐部外的塑料垃圾袋里,因为他没钱把它们存放于衣帽间。The whole lot disappeared. But as the brand got bigger, the archive got bigger, particularly after his death in 2010. 这套时装就这样永远消失了。随着亚历山大#8226;麦奎品牌知名度越来越大,档案馆的藏品也愈加丰富(他2010年离世后尤为如此)。Sarah Burton regularly draws on it.萨拉#8226;伯顿(Sarah Burton)经常从中汲取灵感。London-based designer Gareth Pugh, whose work has been exhibited at the Met and the Vamp;A, has made an effort to keep as much as possible without the help of a formal archivist. 伦敦设计师加雷斯#8226;普欧(Gareth Pugh)的时装曾在大都会物馆以及维多利亚和阿尔伯特物馆展出,在没有正式档案专业人士帮助的情况下,他尽最大努力收藏自己的作品。The big expense is the storage — square footage in London does not come cheap, he says.最大的费用是存放场地——伦敦每平方英尺的租费价格不菲。他说。Designer Erdem Moralioglu, of Erdem, has also made a concerted effort to keep everything. 埃德姆创意总监埃德姆#8226;莫拉里奥格鲁(Erdem Moralioglu)也竭尽全力收藏自己的一切作品。Both he and Pugh keep their work in external storage facilities, outside of their studios. 他与普欧把收藏的时装存放在自己工作室外的存储设施里。Like Pugh also, Moralioglu has made do without an archivist, although is looking to employ one. 与普欧一样,莫拉里奥格鲁也是在毫无档案专业人员的帮助下努力为之,尽管他最近打算聘请一位。Like Chanel, Gucci and other mega brands, he aly seems aware of the importance of heritage: he used his 10-year brand anniversary in 2015 as a chance to spotlight past hits.与香奈儿、古驰等大名牌一样,他似乎也意识到了传承的重要意义:2015年,他运用自己创牌10周年纪念活动之契机,集中展示了自己过去所推时装精品。In doing that project, I realised very quickly how many things were missing, he explains. 在做的过程中,自己很快意识到漏藏了好多款式。There’s a stylist in New York who has a dress from my first collection that I don’t have. 他这样解释道,纽约有位设计师收藏了我平生首个时装系列的一款裙子(我自己却没有这款藏品)。So I’m desperate to try to buy it off her — it’s funny to be buying back my own stuff. 所以我非常想从她手上回购它——买回自己设计的时装真是件逗事。To him, it’s worth the trouble. 在他看来,如此折腾完全值得。We’re all a project of what we’ve done and what we’ve shown, he says.我们所有人都是自身劳动成果的一部分。他说。Indeed, if there’s ever an illustration that brand and archive are one and the same, it’s Helmut Lang. 没错,若用例子来说明品牌与档案馆实际上完全是一回事的话,最合适的莫过于赫尔穆特#8226;朗(Helmut Lang)。After deciding to leave fashion in 2005, and after his namesake brand was bought by the Prada Group, he put 6,000 items through an industrial shredder.2005年,朗决定退隐江湖、其同名品牌由普拉达(Prada)收购后,他竟用工业粉碎机把所收藏的6000件时装作品一毁了之。As brands have become more interested in building their collections, so have the number of private collectors increased. 各大品牌建立自己档案馆的兴趣日渐浓厚,私人藏家的数量也是与日俱增。There are some collectors out there who have better archives than the houses themselves, admits Stanfill. 有些藏家的藏品甚至比时尚品牌公司自身馆藏都要丰富。It means the museums have to get their act together, says Kerry. 斯坦菲尔坦承道,这意味着各大品牌公司物馆得继续努力。They do have tight budgets, but if it’s of national importance then they need to prioritise. They can no longer wait.凯丽说,这些物馆预算不多,若要成长为具有全国影响力的时装档案馆,那么就得优先发展,因为时不我待。Kim Jones, men’s artistic director of Louis Vuitton, has access to the extensive Vuitton archive every day for inspiration, but he has also built an impressive private collection, dating from 1971 to 1992, that features more than 300 looks and encompasses everything, from club looks by 1980s performance artist Leigh Bowery to rare punk pieces by Vivienne Westwood and Malcolm McLaren. 路易威登(Louis Vuitton)男装创意总监金姆#8226;琼斯(Kim Jones)每天都可从公司包罗万象的馆藏作品中汲取设计灵感,但他个人的路易威登藏品也异常丰富(时间从1971年直至1992年),其中包括了300多套时装,它们应有尽有,从上世纪80年代行为艺术家利#8226;鲍厄里(Leigh Bowery)的夜店装束到薇薇恩#8226;韦斯特伍德(Vivienne Westwood)与马尔科姆#8226;麦克拉伦(Malcolm McLaren)的珍稀款朋克装。He’d like to eventually turn it into a book or exhibition, but, on a day-to-day level, he finds stimulus in the work of the names behind his pieces. 他想最终把它们付梓出版或是举办展览,但他每天都从这些藏品中汲取灵感。He’s lately appreciating their value, too. 他最近还认识到了这些藏品的价值。It was only recently, when I had to get it insured, that I realised how much it was all worth, he says.最近投保这些藏品时,自己才意识到它们价格不菲。他说。Value is an interesting word, says Marshall. 价值是个让人感兴趣的词。马歇尔说。For her, as for Jones, it’s the stories and sense of social history that make an archive truly relevant. 她认为,就琼斯而言,正是这些前世今生的故事与社会历史意识让时装档案馆意义非凡。Taylor agrees. It’s not a quick way to make money. 泰勒也持同样看法:这并非赚钱的捷径。And, whether the task falls on an individual or a brand, it requires a lot of patience. 而且,不管是个人还是品牌公司承担兴建档案馆的重任,都极需持久耐心。You have to hang on to things for quite a long time. 做这事得持之以恒、长期为之。Taylor pauses. But they can become very, very valuable.泰勒停了一会儿说,但这些藏品可能会变得价值千金。 /201609/465885Pizza is healthy. And it isn#39;t healthy.披萨很健康,但也不健康。Depending on the type of crust, the amount of cheese and the toppings used, pizza can rank anywhere from nutritionally decent to a diet disaster.这取决于它饼皮的类型、芝士的量和饼皮上的食材,披萨可以营养丰富,也可以是健康饮食的克星。Even healthy pizzas deliver a good amount of sodium from tomato sauce and cheese, so if you are watching your salt intake, you should eat with caution. Of course, the size of the slice and the number of slices you eat count, too.因为健康披萨的番茄酱和芝士中含有丰富的钠,所以如果你在控制钠的摄入量的话,吃披萨时你就该小心了。当然,披萨块的大小和你吃的数量同样应该考虑进去。Pizza pros include the fact that it offers calcium from cheese and disease-fighting lycopene from tomatoes.披萨的优点在于,它里面的芝士富含钙元素,番茄中的番茄红素则有抵抗疾病的功效。And pizza crust made with whole-wheat flour (including whole white wheat flour) is healthier than regular white crust, as it offers whole grains and fiber and is digested more slowly than refined grains.由全麦面粉(包括全麦白面粉)做成的饼皮比普通精白面粉做成的饼皮要健康,它能为我们提供全谷物和纤维素,而且比细粮消化得更慢。But what you put on your pizza can significantly impact its nutritional value.但是你在披萨上所放的食材可以在很大程度上影响披萨的营养价值。Toppings such pepperoni, sausage and extra cheese can boost saturated fat, sodium and calories, while slices made with thinner crusts and topped with veggies tend to have lower calorie, saturated fat and sodium counts.诸如意大利辣香肠、香肠和过量的芝士含有很多饱和脂肪、钠以及卡路里。薄一点的饼皮上配蔬菜会含有更低的卡路里、饱和脂肪和钠含量。For example, a large slice of Pizza Hut#39;s Thin #39;N Crispy Veggie Lovers pizza has 240 calories, 4 grams of saturated fat and 710 milligrams of sodium.举个例子,一大块Pizza Hunt#39;s的素薄饼披萨含有240卡路里,4克饱和脂肪和710毫克钠。But a large slice of the chain#39;s Meat Lovers pan pizza with pepperoni, sausage, ham, bacon, pork and beef has 480 calories, 10 grams of saturated fat and 1,180 milligrams of sodium.但是同样来自Pizza Hunt#39;s的一大块包含意大利辣香肠,香肠,火腿,培根,猪肉以及牛肉的披萨,则包含480卡路里,10克反式脂肪以及1180毫克钠。Frozen pizzas can be a convenient dinner, but they too can vary in terms of ingredients and nutritional value, especially with sodium counts, so it#39;s important to labels carefully (some contain small amounts of trans fats, too).速冻披萨可以是简易晚餐的选择,但他们同样可以包含不同的食材,因此也有着不同的营养价值,特别是钠含量的多少,因此仔细看营养成分表就很重要(其中一些反式脂肪也很少)。When it comes to kids and pizza, one recent study concluded that pizza consumption among children and adolescents was associated with a higher daily calorie intake and higher intakes of saturated fat and sodium. The study also found that pizza eaten as a snack or from fast-food restaurants had the greatest negative impact on calorie intake.提到孩子,最近一项研究显示披萨的摄入量使得儿童和青少年每天摄入较高的卡路里、反式脂肪和钠。该项研究还表明把披萨当零食吃,或者快餐店的披萨都对控制卡路里的摄入很不利。Pizza consumed in schools did not significantly affect children#39;s calorie intake, probably because it may not be that nutritionally different from other school entrees, according to study authors.据一位研究员所述,在校生的披萨摄入量并没有很大程度地影响到他们的卡路里摄入情况,也许是因为披萨的营养价值和他们平时在学校里吃的东西差不多。If you enjoy pizza on a regular basis, try making it at home using healthier ingredients, such as whole-wheat English muffins, part-skim mozzarella cheese and tomato sauce without added salt. And don#39;t forget to top it with lots of vegetables; the more colorful your pizza, the better!如果你平时定期就想吃顿披萨,尽量在家里自己做,用些健康的食材,比如全谷物的英国松饼,部分脱脂的马苏里拉奶酪以及不加盐的番茄酱。别忘了多多加上蔬菜,披萨的颜色越多样,越健康! /201705/508869襄阳第四人民医院割包皮手术

襄樊市同和医院治疗盆腔炎多少钱After years of development, protest and regulatory red tape, the first genetically modified, non-browning apples will soon go on sale in the US.历经多年研发、非议以及监管部门设置的重重障碍,首款防褐变转基因苹果很快将在美国开售。The fruit, sold sliced and marketed under the brand Arctic Apple, could hit a cluster of Midwestern grocery stores.这款备受争议的“北极苹果”会在美国中西部的一些杂货店以切片形式进行初期的试点销售。The limited release is an early test run for the controversial apple, which has been genetically modified to eliminate the browning that occurs when an apple is left out in the open air.因为经过了转基因改良,这种苹果的果肉暴露在空气中也不会变成褐色。Critics and advocates of genetic engineering say that the apple could be a turning point in the nation#39;s polarizing debate over genetically modified organisms (GMOs).基因工程的批评人士与持者均表示,美国国内对转基因作物的争论已呈两极化,而这种苹果可能会成为这一局面的转折点。While genetic modifications have in the past been mainly defended as a way to protect crops, the Arctic Apple would be one of the first GMOs marketed directly to consumers as more convenient.过去人们主要因为转基因是保护农作物的一种手段而为其辩护,而“北极苹果”或成首款直接向消费者出售的转基因作物之一则是由于其更加便捷。;What companies are desperate for is some really popular GMO product to hit the market,; said McKay Jenkins. ;Any successful product could lift the cloud over GMOs.;麦凯·詹金斯表示:“企业渴望的是真正受市场欢迎追捧的转基因产品。任何转基因商品在市场上的成功都可能会打消人们对转基因生物的疑虑。”Industry executives predict the apple could open a whole new trade in genetically engineered produce, potentially opening the market to pink pineapples, antioxidant-enriched tomatoes, and other food currently in development.业内高管预测,“北极苹果”可以为转基因农产品打开一个全新市场,同时也为今后把粉色菠萝、抗氧化西红柿等尚在研发的转基因食物推向市场做好了铺垫。 /201702/492480襄阳医院对男性生植问题技术怎么样? Married men and women who made sex during off-hours a priority were more satisfied and engaged at their jobs the next day, Oregon State University researchers found in a two-week survey study.俄勒冈州立大学的研究人员在一个为期两周的调查研究中发现,在非工作时间有性行为的已婚男女在第二天更敬业,并对自己的工作感到满意。;This is a reminder that sex has social, emotional and physiological benefits, and it#39;s important to make it a priority,; co-author Keith Leavitt said in a statement. ;Just make time for it.;该研究的合著者基思·利维特在一份声明中表示:“这提醒人们,性行为对社会、情感和生理都有好处,把它作为优先事项很重要。因此我们要为性生活腾出时间。”The report, published in this month#39;s Journal of Management, asked 159 married workers to answer twice-daily surveys over two weeks.该报告发表在本月的《管理》杂志上。这个研究要求159名已婚职工在两个星期内每天完成两次调查。Those who got busy at home reported being in better moods the subsequent morning — a buzz that endured throughout the workday.那些在家里有性生活的人报告称,他们在第二天早上心情会更好,这使整个工作日精神饱满。Men and women saw in equal measure the positive effects, which seemed to hang around at least 24 hours, according to the researchers. They held steady even after accounting for sleep quality and marital satisfaction.据研究人员表示,这种效果似乎持续了至少24小时,对男性和女性都同样强烈。即使把睡眠质量和婚姻满意度考虑在内,他们还是获得了稳定的正面作用。It#39;s also possible, of course, that work satisfaction is but one positive outcome of regular intercourse.当然,工作满意度也是常规性行为的一个积极结果。The authors note that sex triggers release of the hormone oxytocin and neurotransmitter dopamine — making horizontal refreshment ;a natural and relatively automatic mood elevator.;研究的作者指出,性生活能引发催产素和神经递质多巴胺的释放,这使得性成为一种自然的、相对自动的情绪电梯。 /201703/498029襄阳做切除包皮手术要多少钱

襄阳谷城县妇幼保健院中医院男科最好的医院 Aspartame in diet sodas will naturally break down over time, especially if stored in higher temperatures, and in both diet and regular sodas the carbon dioxide will produce further carbonic acid (incidentally making itself flat), but aside from a change in flavour, the beverage is likely to be completely safe to drink -- and will probably still taste good.汽水中的天冬甜素会随着时间自然削弱,尤其是被储存在高温条件下的时候,无论是饮用汽水还是普通苏打水中,二氧化碳都会产生更多的碳酸(可能会使它变瘪),但是除了味道上有所变化,饮料还是完全可以放心饮用的-而且味道可能依然很好。It would take a very, very long time for the flavour to be affected enough to be completely unacceptable -- and even then it would still be safe.让味道变得完全不可接受需要很长,很长的时间-但即使到那时汽水还是可以被放心饮用的。Even if all of the remaining carbon dioxide has broken down into sour acid (which would take years in an unopened can), it#39;s still far more dilute and less acidic than your stomach acid, assuming you can handle the terrible flavour.就算所有剩下的二氧化碳都弱化成酸(在没打开的罐子里应该需要好几年的时间),和你的胃酸相比它还是更淡的,没有那么酸,只要你能忍受它糟糕的味道的话。Soda is usually consumed well before this becomes a problem, of course.当然,在这成为一个问题之前,汽水一般已经被卖得差不多了。One caution should be made: any sodas that contain real fruit juice, like orange soda, grape soda, etc., should be viewed as potentially unsafe after their expiration. They can mould or ferment rapidly once the container is opened, in the case of aluminum cans, and glass or plastic bottles which have less perfect seals should be viewed as unsafe even before opening.值得注意的是:任何含有纯果汁的碳酸饮料,比如橙子味汽水、葡萄味汽水等等,过期之后都被认为是无法安全饮用的。一旦密闭容器被打开,它们可能会很快地发霉或者发酵,铝罐、玻璃或者塑料罐都可能密封得没有那么好,甚至往往在被打开之前就是不安全的。PS: The date on the packaging is the ;Optimum Taste Date.; This is the date by which companies recommend you to consume the beverage in order to enjoy the optimum taste.另:包装上的日期是“最佳饮用期”。这是食品公司的建议,为了品尝到最佳的味道,最好在这个日期之前喝完饮料。 /201702/494021枣阳市第一人民医院治疗肛瘘肛裂多少钱枣阳一医院电话多少

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