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来源:58中文    发布时间:2019年09月18日 06:38:47    编辑:admin         

It's not every day a Hollywood heart-throb pitches up in your classroom好莱坞大众情人---酷酷的加勒比海盗(强尼·德普)突然出现在教室,这实在是如梦如幻的时刻  The star is currently in south-east London filming the fourth Pirates Of The Caribbean movie On Stranger Tides and arrived at the Meridian Primary School dressed in full character as Captain Jack Sparrow. He made the one-off trip after nine-year-old pupil Beatrice Delap wrote to the star asking help staging a 'mutiny' against the teachers, as he was filming at the nearby 18th century Old Naval College  由大名鼎鼎的演员强尼·德普饰演“黑珍珠号船长”杰克斯派洛(电影《加勒比海盗)来到一所小学,这名世界闻名的海盗拜访学校的原因是给该学校9岁女孩一个“交代”令人啼笑皆非的是,这个9岁的可爱小女孩为了“反抗”老师,竟然写信寻求海盗的帮助  The school was told just ten minutes bee that Depp would be arriving and two blacked-out cars swept through the school gates. An onlooker said she heard the most 'incredible screams of joy' as the actor, in full make-up, then entered the school  加勒比海盗(强尼·德普)一身电影中的装扮出现在学校中,学生们是他到来前分钟才知道他要来的消息的,随着海盗的抵达,学校被尖叫声“覆盖了”  In an interview on London Tonight after the visit, Beatrice revealed what she had written in the letter to the star - or rather his salty seadog alter ego. She said: 'Captain Jack Sparrow, At Meridian Primary School, we are a bunch of budding young pirates and we were having a bit of trouble mutiny-ing against the teachers, and we'd love if you could come and help. 'Beatrice Delap, aged nine, a budding pirate.'  9岁小女孩在信中是这样写的:亲爱的黑珍珠号船长杰克斯派洛,我们是一群在学校中的小海盗,因为我们和这的老师的矛盾越来越大,我们希望组织一场暴动,因为能得到您的持署名:9岁的小海盗 138。

As a director, he is said to be the Akira Kurosawa of animation. As an animator, he is Japan’s Walt Disney.作为一位导演,他被称为动画界的黑泽明作为一位动画大师,他被称为日本的沃尔特·迪斯尼Hayao Miyazaki, the Japanese master of fantasy animation, announced his retirement on Sept 6, after the recent release of his new film The Wind Rises.9月6日,日本奇幻动画大师宫崎骏发布新作《起风了,之后便宣布退休Having come to prominence in the 1970s with his animation work TV, the 7-year-old is now one of the most respected animation directors in the world.上世纪70年代,宫崎骏凭借一系列电视动画片而声名大噪,现年7岁的他是当今全球最受尊敬的动画导演之一Miyazaki’s vision has remained unique throughout his many films over the years. The worlds he creates —the teeming post-apocalyptic jungle world of Nausicaa of the Valley of the Wind, the strange 19th-century science fiction of Laputa: Castle in the Sky —are as peculiar as they are captivating.多年来,宫崎骏一直在诸多电影作品中发挥着他那别具一格的想象力从《风之谷中广袤的后末日丛林到《天空之城中的19世纪科幻怪谈,他所创造出的世界光怪陆离,令人着迷Here, by explaining the styles, themes and influences of Miyazaki’s films, we hope to take you —especially if you’re unfamiliar with his work —into his magical world and say goodbye to this living legend.我们希望能够通过剖析宫崎骏电影的风格、主题和影响力,将读者(尤其是不熟悉他作品的读者)带进他的魔幻世界,从而向这位健在的传奇人物道别Themes of virtue美德主题Though his films have quite a wide range in their settings, tones and target audience, a number of recurring themes run through Miyazaki’s films.尽管他的影片背景与基调各异,目标群体也是十分广泛,但这些作品中总是反复出现一些主题Good and evil善与恶Miyazaki rarely traffics in simple good and evil. The worlds he creates tend to be complex and ambiguous. example, even the ominous witch-like figures in Spirited Away and Howl’s Moving Castle don’t seem so bad once you get to know them.宫崎骏很少描写简单的善与恶他所创造的世界错综复杂,模棱两可例如,即便是《千与千寻和《哈尔的移动城堡中那些“来者不善”的巫师角色,一旦你了解他们,就会发现他们似乎并不坏Miyazaki has explained that the lack of clearly defined good and evil is because he sees the 1st century as a complex time, in which old norms are no longer true and need to be re-examined. Simple stereotypes cannot be used, even in children’s films.宫崎骏曾解释道:故事之所以缺少善恶分明,是因为他眼中的1世纪是个复杂的时代,过去陈旧的准则将不再奏效,需要重新被审视即便是在儿童电影中,简单老套的模式也不再可取Environmentalism环保主义Miyazaki’s films often emphasize the Earth’s fragility, especially in the context of critiquing development and pollution. In My Neighbor Totoro, a great tree tops a hillside on which magical creatures reside, and the family worships the tree. This ecological consciousness is echoed in Princess Mononoke with a giant primordial est, trees, flowers and wolves.宫崎骏的电影经常会强调地球的脆弱,在批判发展与污染问题时尤其如此在《龙猫中,山顶的大树上居住着许多奇幻生物,片中的家庭成员对这棵大树崇敬有加在《幽灵公主一片中,广袤无垠的原始森林、树木、花朵以及狼群无不呼应着这一生态意识Pacifism和平主义Though his work can be violent, Miyazaki’s pacifism and opposition to violence go more than surface deep. Conflict and violence are usually seen as misguided and destructive, and Miyazaki’s heroes are often peacemakers. example, in Howl’s Moving Castle, Howl’s negative view of the war is clear and he refuses to join the fight in any official capacity.尽管他的作品有时充满暴力,但是宫崎骏的和平主义与反暴力情结却蕴涵于故事表面之下冲突与暴力通常被人们看作是错误和破坏性的象征,宫崎骏作品里的英雄经常是和平的缔造者例如,在《哈尔的移动城堡中,哈尔的厌战情绪显而易见,他拒绝加入任何一方的斗争之中Moral mation德行修养A significant theme of moral mation runs through Miyazaki’s work. Respect elders, responsibility, courtesy, generosity, maturity, courage, understanding and hard work are all common virtues exhibited by or acquired in the moral mation of Miyazaki’s young protagonists.德行修养这个重要主题贯穿了宫崎骏作品始终敬老、责任、礼貌、慷慨、成熟、勇气、理解以及努力,这些都是宫崎骏作品中年轻的主角们身上的共同美德Recurring features反复出现的特征Besides their progressive themes, in Miyazaki’s films, viewers frequently encounter the following elements:宫崎骏作品当中除了一些进步主义题材之外,观众经常会看到以下一些元素:Children儿童Miyazaki’s protagonists are usually children or teens, more often young girls. example, My Neighbor Totoro features two young girls who, unlike adults, can see the spirit world, and in Ponyo on the Cliff by the Sea a boy befriends a magic creature from the sea. Both Kiki’s Delivery Service and Spirited Away deal with growing up.宫崎骏作品中的主角通常是儿童或青少年,大多数情况下是是小女孩例如,《龙猫中,两个小女孩拥有异于成人的能力——她们可以看到精灵世界又如,在《悬崖上的金鱼公主当中,一个男孩与海中精灵成了朋友《魔女宅急便和《千与千寻讲述的都是成长的故事Sky and water天空与水Two of Miyazaki’s great loves are sky and water, and he uses them in related ways. Flight is a ubiquitous theme —Miyazaki has never done a film that doesn’t involve flying of some kind, whether with gliders, magic brooms, World War I biplanes or with no visible means at all. His imagination seems to constantly soar and leave the pull of gravity behind.宫崎骏大爱的两个元素是天空与水,并将这两者结合在一起飞行这个主题无处不在——宫崎骏的作品从不缺乏飞行这个主题,不论是滑翔机、魔法扫帚、一战时期的双翼机,或是一些隐形的飞行元素他的想象力似乎总是天马行空,把地心引力抛诸脑后Water is another way Miyazaki to defy gravity. In his films he likes to unexpectedly flood spaces with crystal-clear water, and objects floating on the surface or drifting through the depths seem to be suspended by magic.水是宫崎骏用来摆脱地心引力的又一方式他在作品中总是喜欢出人意料地让画面充满晶莹剔透的水元素,漂浮在水面或水下的物体似乎被施了魔法一般,悬浮不动 58338。